On September 5, I attended the West Coast premiere of For Colored Boyz (On the Verge of a Nervous Breakdown/When Freedom Ain’t Enuff), written by Bryan-Keyth Wilson with direction by Lynette Winters and Ry Armstrong and choreography by Jimmy Shields. Brought to us by The Underground Theater, the play was described as a choreopoem, utilizing poetry, movement, and music to detail the unique intersectionality of being a queer Black man in America.

Over the past decade, Morgue Anne has forged a creative home at The Rendezvous, a historic venue in the heart of Belltown, where, until a few weeks ago, you could see everything from live music, to comedy shows, public figure drawing sessions, burlesque performances, and beyond. “I’ve been working at the Rendezvous in one way or another for the last ten years or so. I’ve been the events and booking director for the past three years,” she said. But her experience goes beyond just booking the shows:

So what makes Screwdriver Bar unique?

The spot was particularly popular during the late 80s/early 90s “grunge” era. As a former recording studio and rehearsal space, it housed a plethora of different bands and singers. One of the most notable groups to rehearse here was Nirvana, during the period between their albums Bleach and Nevermind. The basement became a second home for the band and for other rising grunge acts, cementing its place as an early landmark of Seattle’s grunge movement.