Witness Immersive is a New York and London based company which has spread its innovative creativity to various cities around the country. Its second show in Seattle, The Double, performed by a stellar local cast, brought an interdisciplinary performance medium to the city which has thus far gone mostly untapped—immersive dance theatre.

At 10 p.m., Seattle music project monocot.zip, composed of longtime friends Ryan Tucker and Luke Pendergrass, took to the stage and began their set. When their first notes hit the speakers, the crowd drew closer, because what was happening on stage was something you wanted to watch just as much as dance to.

The Old Man began to play. 

It was like no music she’d ever heard, tainted and raw and beautiful. 

When he finished the song, he stood, opened the window all the way, and held forth the instrument. “Do you want to try?” 

Five words which dictated the rest of Dunya’s life. 

This week, I wanted to provide an update on current and relevant Trans* and Queer news from the past month. Legislation is moving quickly, and it can be difficult to keep track of important Trans* rulings that can keep you and/or your loved ones safe.

I joined The Echo because I see the same spark and desire in everyone who creates with us. When one of our writers interviews someone with important, silly, or beautiful things to say about their work or life, we all shine. When another writer pours their thoughts and emotions into a piece of narrative or poetry, someone’s cup is filled for the day. Or when still another Creative captures a salient scene with their camera, Truth regains a beacon.

The Rose Theatre, thus far the oldest theater in the Sound Cinema catalog, opened back in 1907 in Port Townsend, a city on the eastern tip of the Olympic Peninsula. The theater started as a vaudeville performance space—like most in that era—before converting to movies. The space went through a couple of transitions after its initial run as a movie house, and by 1992 it was a junk shop in the heart of the lower portion of the city. At that time, a group of community volunteers, donors, and investors brought the theater back to life, and for the over thirty years since, the Rose Theatre has become a community staple. 

In all our lives, there comes a frightful day when catastrophe strikes. We look around the room to find support from the nearest adult or superior, as we have always done, but when we do, we realize with great suddenness: Oh no. We are the adults in the room. The Grown-Ups, written by Simon Henriquez and Skylar Fox and originally devised by Nightdrive, took its humble place as Dacha Theatre’s third mainstage show of their season. It toured parks and campfires in and around the Seattle area, bringing its nostalgic story to a widespread public. 

We Are Not a powerful graphic novel. Written and illustrated by Josh Tuininga, We Are Not Strangers explores the relationship between Marco, a Jewish immigrant, and his friend, Sam Akiyama, a first generation Japanese American. Marco and Sam navigate the discrimination and displacement of their communities in the aftermath of Pearl Harbor and during World War II while trying to look out for their families and for each other.

Seeing a movie outside is like a campfire story. You and your friends and family gather around a glowing screen on blankets or short chairs to sit back and relax. In August, a partnership of the Maple Leaf Community Council and Scarecrow Video, sponsored by Áegis Living, are running the fourth edition of Movies by the Tower. For three Saturdays there will be free movies in Maple Leaf Reservoir Park.

What would the world be without poetry today? Poetry, a quintessential art form, always needs more attention, affection, and appreciation. The Pongo Poety Project, a nonprofit organization based in Seattle, is just one of many that continues to keep this art form alive while fostering new writers into its environment.

The Evergreen Echo, a burgeoning PNW arts and culture publication, has secured fiscal sponsorship through Shunpike, a Washington-based arts organization that provides artists with equitable access to vital expertise, opportunities, and business services via their programs, such as Fiscal Sponsorship, ACES: Artists of Color Expo and Symposium, Shunpike Artist in Residence & Storefronts, and The Studio @ 2+U.

Three prisoners staggered out of the truck: two men and a woman. The men knew each other. Their hands grazed and their gazes met. The woman stood alone, clinging to the broken neck of a violin. They were all unchained, but fear and shock were as good a shackle as any. Until it was disrupted, at least. 

The true value in community media is in the way it forges local connection and identity, providing spaces for diverse voices—something that is often lost in conglomerate media, who tend to cite the same sources (often one another), parrot the same talking points, and create an overwhelming agenda on behalf of their owners or investors.

From July 16 to 25, PNW Climate Week hosted various community-led events across the region to inspire climate action. Cheryl Scheiderhan is a member of the small but mighty team who worked hard to make this year the most impactful one yet.
As a fashion professional, Cheryl is focused on the complex relationships between climate, clothes, and consumption. Being in a city like Seattle, which thrives on technical solutions, it’s proving difficult to convey the relevance of fashion.

Nicole Bearden (NB): You’ll find our next guest nestled in an arched niche of the Cal Anderson Gatehouse. Saint Rat is the talk of the town this summer—Hot Rat Summer, that is.  Welcome to Iconic Convos, Saint Rat. I’m thrilled to finally connect.

Saint Rat (SR): Blessings of the Season, my child.

NB: You are having a bit of a moment. How are you dealing with your newfound notoriety?

On July 19, the U District, which boasts over 20 boba-centric establishments, hosted Boba Fest. It was a celebration of this delicious drink and the avid fan base around it. To wander between the shops was to hear deep discussions of what kind of boba is best with what tea and what savory snack pairs well with the sweetness.

The show is a packed variety hour (and a half) featuring all manner of dance, illusion, aerials, and comedy. Oh yeah—and birds. At the start the audience is notified that the show might be different and more interactive than they are used to: “Things may happen above you, or behind you…and if you’d like to show your approval, feel free to do a little bird call.”

On my way to the station, several people complimented my shirt or my hair, others smiled as I walked past, and even more strutted by in intricate outfits, displaying various Pride flags in all manners of ways. In a sea of rainbows and smiles, I made my way home, thinking about those who had come before me, the Queer and Trans* elders I would never get to meet. What would they think of the current state of the movement? Would they think we were “loud” enough?

Ivy watched as the evening workers and night dwellers shuffled down the sidewalks, heads bowed against the omniscient glow of the streetlights that’d borne witness to their savage furies. 

Warning, the voice began again. 

Ivy lifted a cigarette to her lips, inhaled, let the smoke sit and coil through her lungs like a breath of life before she blew it through the crack of her propped window. Only the stub of the cigarette remained, its embers hot against her fingers. But it was good for a few more puffs at least, and god did she need it. 

It Lasts Forever and Then It’s Over by Anne De Marcken is an ephemeral collection that feels more like a dream than a story. This novel is simply unforgettable, and it had me in its clutches from the moment I flipped open the first page.